Winter
1998-99
Cover:
Jamie Phillips photographs Ha-Chi Yu and Jason Jordan of Ballet
Tech, Amy Smith of Headlong Dance Theater, and Ishmael Houston-Jones.
Print exclusive: Mark Morris on Fact & Mystery.
Plus: The Post-Modern Mole asks: What Do Dancers Want, Anyway?
Tara Zahra investigates what ballet companies pay their Nutcracker
children. Robin Hoffman and Elizabeth Roxas offer Insider perspectives
on the legacies of Maria Grandy and Alvin Ailey; and DI editor
Paul Ben-Itzak posits: More and More Dancers are Talking
on Stage. WHY? For the Insider Forum, Veronica Dittman asks
choreographers Peter Pucci and Terry Creach and Joyce Theater
development director Adrienne Morris: What Wont You
Do for Money?
Spring
1999
Cover:
The retiring Cisneros, photographed by Marty Sohl with Anthony
Randazzo in the Black Swan pas de deux. Kimberly Glasco sues National
Ballet of Canada director James Kudelka. NEA chair William Ivey
justifies arts spending; Rachel Berman shares why she's retiring
from the Paul Taylor Dance Company; Maina Gielgud explains why
shes leaving the Royal Danish Ballet; Jill Echo tells why
fillmaker Matthew Diamond went too far by airing her firing by
Paul Taylor; David Parsons talks about his New Year's party for
four billion; and Elizabeth Lenhard mixes it up with Stiefel.
Insider Forum looks at presenting outside New York City, and we
offer a supplement on how artists and presenters are bringing
dance to children. PBI polemicizes: Its the Dancers,
Stupid. Stunning photography by Annie Leibovitz, Alfred
Eisenstaedt, and Jamie Phillips.
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